The Cao family, to which the author of the Dream of the Red Chambers belongs, has governed the Jiangnan region for many years. It is widely believed that Cao Xueqin drew personal experience from his life to write the Dream of the Red Chamber.
Dreams of the Red Chamber
Dream of the Red Chambers, written by Cao Xueqin in the Qing dynasty, is one of China’s Four Greatest Classical Novels. It’s has long been considered a masterpiece of Chinese literature.
The book extensively describes the “hundred arts of the red chamber” and hence it is reputed as an encyclopedia of traditional Chinese cultures.
It is not hard to notice the many parallels between the book and their lives in Beijing and Jiangnan. This book also examines the crafts and cultural exchanges between the Ming and Qing dynasties.
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Baibaoqian, literally meaning “hundred-treasures inlay” in Chinese, refers to the intricate inlay work comprised of variegated semi-precious materials, such as jade, agate and pearls, on premium hardwood or on lacquer ware.
Plaster Moulding
Plaster moulding, one of the character-defining elements of Lingnan architecture, refers to the colourful statues and decorations commonly found on roof ridges and gable walls of traditional Chinese buildings in southern China.
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Chinese wooden architecture emphasises the harmonious relationship between architecture and organic life. This, in turn, articulates the cosmic view that man and nature are united.
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Lacquerware is craft with lacquer applied to the surface of the fetal bone, which is often wood, bamboo, copper or other materials. It is an ancient craftsmanship that is functional and decorative.
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Gold craftsmanship has held a place of great significance in many cultures throughout history. In China, it embodies a rich tapestry of cultural exchange, mastery, and aesthetic tradition shared between East and West.


